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Jack Hamilton Bush (March 20, 1909 – January 24, 1977) was a Canadian painter. A member of , his paintings are associated with the movement and Post-painterly Abstraction. Inspired by and American abstract expressionist painters such as Helen Frankenthaler and , Bush encapsulated joyful yet emotional feelings in his vibrant paintings, comparing them to jazz music. Clement Greenberg described him as a "supreme colorist", along with in 1984. Bush explained that capturing the feeling of a subject rather than its likeness was

a hard step for the art loving public to take, not to have the red look like a side of a barn but to let it be the red for its own sake and how it exists in the environment of that canvas.


Early life and commercial work
Bush was born in , . As a young man, he attended the Royal Canadian Academy school in , , where he studied with Adam Sheriff Scott and .
(1973). 9780195402063, Oxford University Press. .

In his early stages, Bush was influenced by the work of and the Group of Seven. He began his professional career as a landscape artist and focused on painting them. He also attended 's weekly life model drawing sessions, hosted in Comfort's studio in Toronto. During the 1940s, he worked as one of the principals at the business of Wookie, Bush and Winter, founded in 1942, and, by night, furthered his studies at the Ontario College of Art. In his early work, Bush, like other Canadian artists of the time, was sheltered from major European influences. For 41 years he was a commercial artist, retiring in 1968, years after he had achieved success as an abstract artist.


Painters Eleven and after
Bush developed his work and approach to abstraction through the 1950s. He was a member of , an influential group founded by in 1954 to promote abstract painting in Canada and was soon encouraged in his art by the American art critic Clement Greenberg. Critical at first, Greenberg became a mentor to Bush and encouraged him to refine his palette, technique, and approach. He told Bush to seek in his oil painting the thinness and clarity of colour and the simplicity of his works on paper. As a result of Greenberg's guidance, Bush became closely tied with Painting and Lyrical Abstraction. Bush's work is based on an abstract record of his perception. Rather than expecting the audience to recognize his subject or experience the use of forms in his paintings, he shares the emotion of that experience by slabs and streaks of color. Bush became friends with artists associated with color-field like , and . As Painters Eleven disbanded in 1960, Bush moved on, and in the end became one of the most successful artists to come from this group.

In 1962 he had his first solo exhibition in New York City on , and from that point on his career as a major abstract painter began. In 1964, he decided to stop having solo shows in Toronto because he felt that art scene abroad would see him as provincial and he needed to concentrate on establishing a reputation outside of Canada.

Bush permanently switched from using oil paint which he had used for forty years, thinned with turpentine in his large abstract work to allow the pigment to be absorbed by the unprimed canvas, to water–based acrylic paints in March 1966. He represented Canada at the 1967 São Paulo Art Biennial, and in 1976 the Art Gallery of Ontario toured a large of his work. He died in Toronto at the age of 67 on 24 January 1977. In 1979, two years later, the National Film Board of Canada released a one-hour documentary Jack Bush, directed by Murray Battle.


Influences
One of his most important influences was (1869-1954), a French artist who led the movement about 1900 by pursuing expressive color throughout his career.

Bush once said to his peer and friend :

What I'd really like to do is hit 's ball out of the park.

and Noland replied:

Go ahead, won't mind at all.


Honors
  • Guggenheim Fellowship, 1968
  • The Order of Canada, January 1976
  • Royal Canadian Academy of Arts
  • Canada Post honored Jack Bush with a Canadian postage stamp and a souvenir sheet released on March 20, 2009. The stamps featured his 1964 painting, Striped Column and his 1977 painting Chopsticks.Canada Post Details, January to March 2009, Volume XVIII, No. 1, pp. 24-25


Selected collections
  • National Gallery of Canada, Ottawa;
  • Art Gallery of Ontario, Toronto;
  • Montreal Museum of Fine Arts;
  • Museum of Fine Arts, Boston;
  • , London;
  • Masterworks Museum of Bermuda Art;
  • Boca Raton Museum of Art, Florida;


Personal life
Bush's son Terry is a jingle writer, best known for singing and co-writing "Maybe Tomorrow", the theme for The Littlest Hobo.


Bibliography and filmography
  • Boyanoski, Christine. Jack Bush: Early Work exhibition. Toronto: Art Gallery of Ontario, 1985.
  • Carpenter, Ken. The Heritage of Jack Bush: A Tribute. Oshawa, Ont.: Robert McLaughlin Gallery, 1981.
  • Jack Bush, Paintings & Drawings, 1955-1976 exhibition. London: Arts Council of Great Britain, 1980.
  • Jack Bush exhibition. Boston: Museum of Fine Arts, 1972.
  • Mayer, Marc and Stanners, Sarah. Jack Bush exhibition. Ottawa: National Gallery of Canada, 2014.
  • (2026). 9781738955701, David Mirvish Books and Coach House Press, Toronto.. .
  • Wilkin, Karen (ed.). Jack Bush. Toronto: McClelland & Stewart, 1984.
  • "Jack Bush", documentary director Murray Battle, producer Rudy Buttignol (Cinema Productions for the National Film Board of Canada, 1979) 56 minutes.


External links

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